Category: Sculpture (Contest finalist)

Artist: PERE GIFRE

Project manager: DANIEL MOLINA

Partners: Jose María Velasco (AMATRIA Engineering) and Lorenzo Barón (Manufacture Manager)

Place: Transition Hall · Hartsfield-Jackson Atlanta International Airport

This Project, “Wings of Atlanta” has been chosen as one of the five projects selected to submit a large hanging sculpture proposal (23x14x5m) for the Transition Hall site of Atlanta International Airport (USA), the busiest airport in the world over 90 million passengers a year.

I had several objectives when approaching the concept and what it should represent: it had to be avant-garde, surprising, symbolic, easily recognizable, dynamic, interactive and it also had to represent flight as something magical and evoke into the viewer the sensation of freedom, the breaking of barriers and reaching new limits. It had to be internationally symbolic and at the same time represent Atlanta and the United States. I also wanted it to represent the beauty of nature and the fragile environment that we have to protect.

http://www.atlanta-airport.com/

“The wings of Atlanta”

Is it an eagle? Is it a plane? No, it’s… the new sculpture for Atlanta Airport.

This sculpture, for the new Transition Hall, symbolizes a journey towards new frontiers: the representation of an eagle in full flight, passing through clouds of water on its trip around the world.

Conceptual views showing the sculpture within the space designated for its location.

Inferior view of the sculpture. Detail of the central body and the two hoops that surround it.

Conceptual views showing the sculpture within the space designated for its location.

Once…A Bird.

Throughout history birds have been observed by mankind. We have always seen in them something magical and unique: their ability to fly.  Wishing to imitate them, we have always imagined and desired to experience this sensation of freedom. Thanks to aviation this has become possible. With this sculpture, we aim to move people; allowing them to envisage this sensation of freedom and the ability to reach any part of the world within hours…not only by means of a simple method of transport but as something magical. By flying.

An Iconic and International Form. Symbol.

It is very important that the form of the sculpture is iconic for those who see it.  We do not want an abstract, non-identifiable element. We want everybody who passes through the Airport to recognize, remember, and even draw it when they arrive home and describe it to their family or friends.

For this reason we have chosen the figure of a bird – an internationally recognizable form which is also a symbol of freedom, peace and kinship between towns and countries.  This is what we want for Atlanta Airport:  a symbol that unites places and people throughout the world, just as aviation does by bringing them together in a fast, safe and comfortable way.

> From the U.S.A. to the World.

Atlanta Airport is in the United States, and because of this our proposal has to be an international but also very American concept.  Having already stated our reasons for using the form of a bird as the basis for our proposal, we believe that there would be nothing more fitting than the eagle, which is the symbol of the USA. We must also remember that the American eagle was in danger of extinction some years ago. Thus the concept also represents the desire to conserve all things precious.

> A Contemporary Sculpture.

We did not want to make a figurative sculpture that leaves no scope for the imagination. For this reason our design will not be in the shape of a conventional eagle, but one that will transform into an airplane and the patterns that it generates when flying.  All of this will be achieved by using water-based formations to create a contemporary, iconic and avant-garde sculpture.  We aim for the sculpture to make people think, travel, and mainly to imagine.

> Respect for the Environment and Nature.

The sculpture will be a symbol of the environment and respect for nature.  For this reason it has been designed using water formations, because water symbolizes purity, and is the best representation of the world that we want for the future: a clean world without pollution.

Water is also an element that people instinctively recognize and appreciate. For this reason, travelers would naturally feel drawn to the sculpture.

> The Sensation of Flying. Dynamism. Breaking barriers.

In designing the sculpture, we have wanted to go beyond what it conceptually represents. We want the observer to feel that the sculpture is really flying. For this reason we have recreated certain patterns that are generated in the sky with the passage of airplanes, such as the trails that they leave, the vortices generated by the passage of their wings, the vapor from the engines as they cut through the atmosphere in search of new frontiers, and the conoidal shapes that are generated when the sound barrier is broken.

The sculpture accomplishes all of this in such a dynamic form that by observing or photographing it, we have the sensation that we have captured an image in its real flight.

> Interaction with the Traveler.

Passengers would be able to interact with the sculpture both physically and emotionally. Physically because people will be able to see and photograph their own reflections in the chromed sculpture.  Emotionally, because the people who approach it will have just had the experience of flying, or will be about to do so.  The form and the concept of the sculpture will help to enhance their experience: to remind people that flying, as well as being the easiest and safest way to travel, is also something magical and exciting. It will also ensure that their experience of Atlanta Airport itself is totally unforgettable.

We also want the observer to be constantly surprised when seeing the sculpture both for the first time, and as they look at it from different perspectives. This is why, at the back, we have strategically placed the pieces which form the trail left in the wake of the airplane so that they come together to form the shape of the Earth, but which can only be seen from beneath the sculpture.

> CONCEPT DEVELOPMENT / VFX ENGINEERING

We also want the sculpture to be a symbol of the environment and respect for nature.  For this reason it has been designed using water formations, because water symbolizes purity, and is the best representation of the world that we want for the future: a clean world without pollution.

Study of different forms that are generated in the sky by different aircraft during flight.

Study of different forms that are generated in the sky by different aircraft during flight.

Bio-mechanic study of the structure of an eagle and its flight. For the final concept we have chosen the moment indicated, where the eagle glides as it were an airplane.

Processes of simulation of dynamic and fluid systems and that have been used to create the sculpture.  Thanks to these not only have we been able to generate the sculpture but also give it dynamism.

Water pieces are integrated into the whole sculpture. Here, in order to recreate the Earth using water-like forms, it has been divided into separate pieces which have then been transformed by means of fluid simulation.

In order to be able to calculate the viability of the project and also its volume and surface area, we had to adapt the pieces created by means of fluid simulation and dynamic systems, changing them into simpler volumetric pieces that can be recognized by CAD/CAM programs.

General dimensions of the sculpture taking into consideration the space and budget available. These are estimated measurements taken from the calculations made before having carried out a detailed study of the project.

Once the final concept has been designed, this will be carried out by breaking the structure down into simpler masses and dividing them into groups in order to make accurate calculations.

We have divided the sculpture into 6 main groups that will be studied individually in order to analyze them better. This is because the production of the pieces will differ for each group.

In order to carry out a structural study of the grid that will support the sculpture and make accurate calculations we had to adapt the generated volumes to parallelepipeds.

The volumes created in order to calculate the structure will be slightly larger than the authentic ones. In this way we add a safety margin to the structure.

Inferior view of the sculpture in which we can see the different groups that form the overall piece. It must be emphasized that all the groups were created using fluid simulations.

Inferior view of the sculpture and a detailed view of how the set of pieces which form the shape of the Earth will be seen from below.

Inferior view of the sculpture. Detail of the wings and the piece lying below the central body.

Conceptual views showing the sculpture within the space designated for its location.

Conceptual views showing the sculpture within the space designated for its location.

More information:

IKONIC / GIFRE collective -T +34 972 255 753  c.espronceda,12-14. 17480 Roses (Girona) -

info@gifre.com

Director & Writer: Pere Gifre

Producer: Daniel Molina

Genre: Animovie/ Sci-Fi

Status: In Development

Here there are some concept art images related to the film.

Author: Pere Gifre

Year: 2010

Impact sculpture conceptually represents liberty and breaks barriers. This is represented by a meteorite passing through columns of water. For its design, I captured the moment in which a projectile passing through a curtain of water. Once the simulation was done I improve the final result, overcoming the best layers of the process until the final result.Once finished, digitally re carved sculpture, readjusting, improving their surface and adapting it to the CAD / CAM processes for subsequent mechanized process.

Photo gallery

PHOTO: Lluis Masachs, Adrià Fernández, Pere Gifre

Sales Contact:

GIFRE collective

c.espronceda,12-14 – 17480 Roses (Spain)

info@gifre.com – T 972 255 753

JOURNAL OF ART, visual culture and heritage written by industry specialists. Contains articles of reflection, criticism, reporting, interviews, news updates and a complete schedule around the Catalan Countries (Spain, Northern Catalonia, the Balearic Islands and Valencia), Aragon and Andorra.

Bonart also includes information and schedule of exhibitions in Spain and worldwide. It is present in art fairs and cultural events throughout the state.

BONART WEBSITE

nº125/Mars 2010

Biography / Second Magazine Cover

“WATER FEELINGS” COLLECTION BY GIFRE

The collection consists of 6 sculptures and is based on water, the representation of itself, its behaviour, structure and relationship with the nature surrounding it.

ART-MADRID 2010. Photo gallery

RT MADRID 2010 REINFORCES ITS COMMITMENT TO CONTEMPORARY ART AND YOUNG ARTISTS.

The Spanish International Fair of Modern and Contemporary Art, Art Madrid celebrates its fifth year from 17 to 21 February 2010, in the Palacio de Cristal at the Casa de Campo in Madrid, with the presence of 65 galleries, selected from among the most prestigious national and international scene. The fair reinforces this edition their commitment to contemporary Spanish art and renews its support for emerging artists and young galleries.

ARCO 2010. Photo gallery. 17-21 FEB 2010

The work on view covers the historical avant-gardes, classic contemporary and emerging art. Around 200 galleries from over 30 countries will be showing paintings, sculpture, installations, photography, video, new media art, drawings, multiples and editions.

Asociación Española de Profesionales del Diseño / Spanish Association of Professional Designers

Catalogue XIII AEPD Design Awards, where the delivery took place on February 10, 2010.

Exhibition: Water for Life ( Program Collective)

Splash sculpture design: Pere Gifre

Structure design: Amatria

Construction – Production design: PQC Temática.

Download Catalogue here.

http://www.aepd.es/

Download High resolution pdf: http://www.gifre.com/waterfeelings.zip

View online pdf: http://www.gifre.com/waterfeelings.pdf

SALES CONTACT

GIFRE · T +34 972 255 753 · c.espronceda, 12-14 17480. Roses (Spain) · info@gifre.com

el Bulli tableware
Author: Pere Gifre – Ikonic / el Bulli.
Cient: Restaurant el Bulli. Roses (Spain)
Year: start 2008

· CALENDAR

MAY 2008. Dinner at elBulli. First contact.

DEC 2008. Meeting at elBulli. Ferran Adrià proposes that we design their new chocolate box. At the end of the meeting we had a big proposal: to design their new tableware for the snacks.

JAN 2009. We started to analyze the elBulli elaborations, their techniques and philosophies to understand their needs and make a project brief. All of this was done in collaboration with elBulli and also with elBulli Taller team.

FEB 2009. We present a concept proposal for development.

TOKYO TASTE – Ferran Adrià presents the concepts on which we are working.

FORUM GASTRONOMIC DE GIRONA – Ferran Adrià presents the new tableware project.

MAR 2009. We manufacture some prototypes to evaluate their use.

MAY 2009. INDABA 2009. Ferran Adrià presents the tableware concept design animations at the festival celebrated in South Africa.

LA SEXTA NEWS. La sexta TV channel broadcast a special program about the cuisine of elBulli and Ferran Adrià showing the first prototypes.

JUN 2009. elBulli begins its season until December.

JUL-DIC 2009. We evaluate the designs in the elBulli kitchen itself, studying in detail their internal work processes and elaborations preparation.

SEPT 2009. DOCUMENTARY RTVE. The National Spanish television broadcast an advance of “The history of elBulli”, which contains some fragments of the designs video presentation.

OCT 2009. MIPCOM – “The history of elBulli” documentary is presented. It consists of a collection of 8 DVDs, which will be broadcast in RTVE in 2010, including a summary with the new tableware concept. The images are also used for the credits and for the promotional documentary spot.

DEC 2009. EelBulli closes its doors until next season. The DVD collection “The history of elBulli” goes on sale internationally.

JAN 2010. We are currently working on the adaptation of the designs for their final use, adapting them to manufacturing processes.

· DEVELOPMENT

The beginning…Getting to know elBulli

During the design process the participation of Ferran Adrià, Marc Cuspinera, Mateu Casañas, Eduard Xatruch and Oriol Castro, as well as all the staff of elBulli, has been fundamental to us.

Conceptual proposal for the development.

© elBulli © ikonic arts © Gifre ©Jofre Rodeja (subaquatic-photo) © Francesc Guillamet (el Bulli-photo)

Working in the restaurant elBulli (Roses) and in elBulli Taller (BCN).

Ferran Adrià (elBulli chef), Daniel Molina (project manager) and Pere Gifre (creative director). elBulli Taller BCN.

Ferran Adrià (elBulli chef), Eduard Xatruch (chef) and Pere Gifre. elBulli restaurant Roses.

Pere Gifre inside el Bulli kitchen. El Bulli restaurant (Roses).

Ferran Adrià, Daniel Molina and Pere Gifre. elBulli restaurant (Roses)

First prototypes photos.

More information:

IKONIC ARTS · c.espronceda,12-14 – 17480.Roses (Spain) – T +34 972 255 753 – info@ikonicarts.com

Press contact: press@ikonicarts.com

Nº207 December 2009

Work: Prestige Hotel – Color particle LEDs environment study

TV rights distribution: RTVE / DVD + Book distribution: Cameo

Limited edition DVD – story of Ferran Adria’s michelin star restaurant ( El BULLI)- ideal present for any amateur or professional .

Collector’s item.

The documentary Contains some selected films from “el Bulli tableware collection” Ferran Adria by Gifre.

Buy online.

VFX Sculpture based on dynamic simulation systems.

Link

http://www.domusweb.it/

http://www.domusweb.it/home.cfm

Inaugurated by the President of the Government of Aragon, Marcelino Iglesias Ricou on Oct. 27.

The exhibition is devoted to the design and development processes that were used in the Expo Zaragoza 2008.

http://www.fundaciongoyaenaragon.es/

Photos and information.
Blanca Oro (Goya Foundation)

The I+D process used in elBulli sculpture collection  (tableware collection) by Gifre, was presented by Ferran Adrià on MIPCOM 2009.

Discover the world renowned Chef Ferran Adrià’s creative career during this special session featuring the History of elBulli restaurant as well as an innovative catalogue where gastronomy and culture are the key words for original content production.

Presenter
Ferran Adrià (Chef, elBulli)

Date: Monday 05-Oct-2009

Start time: 12:45

End time: 13:30

Location: tbc – Cannes.

New tableware collection based on biomimesis and vfx engineering for elbulli restaurant. Designed by Pere Gifre in collaboration with Ferran Adria and elBulli team.

Ferran Adrià he managed to create his own language, something that has turned into a very influential issue on the international scene. This is what I am interested in, I dont care if people consider it as an art or not. It is very important to mention that the artistic intelligence does not depend on the format; we should not relate art only with photography, sculpture, painting, neither with cooking in its most strict sense. But under certain circumstances, cooking can also be considered as an art.

(Roger M. Buergel)

Ferran Adrià present first prototypes of new tableware collection from elBulli taller Barcelona.

No online videos available.

First emission.

Worldwide distribution: RTVE

No online videos available.

Ferran Adrià has revolutionized the world of gastronomy and his restaurant, elBulli, is recognized as the world’s best restaurant. So original and poetically sensible is Adrià’s approach to cooking that he is considered to be the greatest ¨artist of the kitchen.

¨ Food for Thought explores the essence of elBulli’s creativity with hundreds of color photographs of Adrià’s creations, including, for the first time ever, every single dish ever created by elBulli. Inspired by Adrià’s controversial participation in Documenta 12, this seductive volume features lively dialogue between the most potent critics and creators of the art and gastronomic worlds: Heston Blumenthal, Bill Buford, Jerry Saltz, Massmiliano Gioni, Anya Gallaccio, Peter Kubelka, Antoni Miralda, Carsten Holler, Bice Curiger…

Buy the book (ACTAR):  http://foodforthought.actar.com

Introduction INDABA design 2009. 25 Feb 2009 – 27 Feb 2009

The 2009 Design Indaba Conference received an overwhelmingly positive response, being sold out for the fifth year running and attracting more than 2 100 delegates. Confirming its passion for ideas and creative change, the vibrant three-day conference hosted 30 international speakers across a variety of fields – from Ferran Adrià, the world’s best chef, to design activist Bruce Mau, nonsense-machine artist Nobumichi Tosa and product designer Marcel Wanders.

http://www.designindaba.com/

Some pictures from the event in:

Forum Gastronomic de Girona.

Ferran Adrià and Jose Maria Arzak, Tokyo taste.

Official site.

www.tokyotaste.net/en

Publication:
“Aquitectura Expo Zaragoza ”

Link: http://www.actar.com/

” Materials and techniques used in art works”

Dr. Pere Molera (University of  Barcelona)

Pere Gifre – VFX engineer

Inaugural conference.

In this book we can see, among other things, the work and projects carried out by Pere Gifre.

Link: http://www.artfutura.org/v2/catalogs.php?idcontent=2&mt=1&lang=En

Click image for view video.

In ArtFutura, Pere Gifre will talk about his involvement in the development of the VFX aspects of “Splash”, and other projects, through the use of programs that simulate the dynamics of fluids.

All images were taken by my friends Adrià Fernández and Laia Gayan.

Enjoy!

The organic forms generated through the simulations are largely interlinked with nature, making it possible to recreate elements such as water or fire.

The routes and paths these new technologies have opened up give us more opportunities to augment our creativity, opening our minds.

These programs of complex algorithms, unlike AutoCAD which only allows us to shape pre-defined ideas, give us the possibility of infinite designs.

This algorithms us to understand and accurately visualize the forms with a precision which, given the detail involved, would be extremely difficult to reproduce manually.

Enjoy.

VFX Sculpture based on dynamic simulation systems by GIFRE.

Link:
http://www.creativereview.co.uk/
http://www.creativereview.co.uk/back-issues/creative-review/2008/july-2008/zaragoza-expo-2008

Publication: NY Times(http://www.nytimes.com/)

Link: http://travel.nytimes.com/2008/06/15/travel/15journeys.html

Publication: Times Daily (http://www.timesdaily.com/)

Publication: BBC (http://news.bbc.co.uk/)

Publication:
“Ambienta ”

http://www.telegraph.co.uk/

Publication: El Pais (http://www.elpais.com/)

Publication: El Punt-Presencia (http://www.elpunt.com/)

Link: http://www.vilaweb.cat/media/attach/vwedts/presencia/1893.pdf

Publication: El Heraldo de Aragon(http://www.heraldo.es/)

Press collage.

Publication: La Vanguardia (http://www.lavanguardia.es/)

Publication: El Periodico de Aragon www.elperiodicodearagon.com/

Publication: “Water For Life ”
Buy online: http://www.logi-libros.com/ficha.php?id=3199

Publication: CATALOGO GENERAL EXPO ZARAGOZA 2008
(Ediciones Turner)
http://www.casadellibro.com/libro-catalogo-general-expo-zaragoza-2008/2900001257089

Publication: El Periodico (http://www.elperiodico.com/)

Publication: The Guardian (http://www.guardian.co.uk/)

No online videos available.

SPLASH, sculpture by GIFRE.

(Roger M. Buergel)

When Roger Buergel invited Ferran Adrià, he became the first cook in the history of haute cuisine to participate in Documenta, something that implied to take decisions with no references in sight.
The way that Ferran Adrià has conceived the contextualization of avant-garde cooking into the world of art consists in making elBulli restaurant itself, located in Cala Montjoi, another Documenta pavilion. Any other solution not consisting in experiencing Ferran Adrià’s work at his restaurant betrays the leitmotiv of the invitation. So with this decision taken, the 50 clients that will have dinner at elBulli during the 100 days that Documenta 12 will last will become actual visitors of the exhibition, but not in Kassel, in Cala Montjoi.

From a side perspective, Ferran considers that the intervention itself started with Rogers’ invitation, and includes the reflections and the debate between people related with art and cuisine about the way that cooking can be brought to an exhibition like Documenta.
But how could we connect the visitors of Kassel with the intervention that will take place every day in Cala Montjoi? During the exhibition, the art director of Documenta will choose daily in a random way two persons amongst the visitors of Documenta in Kassel and will offer them the possibility of living the unique experience of having dinner at elBulli. To make it possible we count with the cooperation and the sponsoring of the Rosas City Council, the Costa Brava & Pirineu de Girona Tourist Board and Caixa Girona.
Marta Arzak, Guggenheim Museum of Bilbao Teaching and Performance Assistant Manager, and Josep María Pinto, Ferran Adrià’s collaborator in the making of elBulli General Catalogue, have participated in this intervention.

Friedrichplatz 18, 34117 Kassel Germany
T +49 561 707 27 67, F +49 561 707 27 40
exhibition@documenta.de www.documenta.de

The complete menu that we tasted in elBulli.

Publication: Capital (http://www.capital.es/)

VFX Sculpture based on dynamic simulation systems.

“SPLASH”

VFX digital sculpture developed by Pere Gifre

(based on general concept by Program Collective)

Description:
A 21 meters, 65 ft, tall splash sculpture was formed from 135 independent and enterely computer generated pieces to represent the force, beauty and dynamism of a drop of water hitting a surface.

Exhibition: “Agua de la vida” Zaragoza World Expo 2008

Design: Program Collective

http://www.programcollective.com/
http://www.expozaragoza2008.es/

Place: Water Tower made by Enrique de Teresa
Venue: Expo Zaragoza 2008(Spain)
Opening: June 2008

The Concept

What more can express strength, force, danger, beauty, simplicity, complexity, sensitivity and virulence than a simple drop of water hitting a surface.

The Splash sculpture is an instant time capture, a moment, a frame… where a drop of water hit on a rectangular surface caused an explosion which Program Collective named Splash.

The Process

Mona Kim research picture where we can see a real water explosion.
In the design, we amplify properties that the water offers to us, thanks to fluids simulation, improving its beauty and heightening its sculptural function.

More examples.

Simulation dynamic systems

Final CG Sculpure

Sometimes the reality has to be amplified, this help us to amplify its beauty. We have done this with dynamic simulation systems.
This fields effects, turbulences or environmental forces help us to emphasize its sculptural function and improve its forms.

Stereolithography Model

We transform and adapt the pieces or the geometric computer models generated by fluids simulation to CAD/CAM systems to make the miniature model and understand better the sculpture.

Large Scale CAD/CAM Sculpture

PQC Company making the large scale sculpture based on IKONIC arts design.

On place (working progress)

Finally we´ll adapt the large scale sculpture on place, inside the Water Tower Building.

“Agua de la Vida” Exhibition by Program Collective

Publication: El Periodico (www.elperiodico.com)

A VFX animation (35′ min) for an opera scenography (stage directed and scene by Frederic Amat).

Client: Teatro Real (www.teatro-real.com)

The Beginning

Here we can see the IKONIC arts´s creative director (Pere Gifre) and project manager (Daniel Molina) talking about the audiovisuals pre-production with Frederic Amat, the stage director and scene.

The Pre-production

Once we have the concept art, we´ve made storyboards to develop the scenes with the director.

Production

In this project we created 35 minutes worth of computerized animation for which different techniques were required. We used HD filming, paintings in motion and 3D simulations with dynamic systems programs.

Different kind of birds.

The Process

When we got the concept art we developed the production animation to project it onto scenery.

The Place

Madrid Royal Theater is one of the most famous European opera theaters. It has capacity for 1854 spectators.

Animatics

Frame by frame, using different animation techniques , we move on always on the same Frederic Amat art direction.

Here, there are some animation frame examples of the opera stage directed by Frederic Amat.

On Stage

Here we can see some scene images of the opera.

OPERA : MAY 2007

Striking rain drops simulation on house and splash design sculpture for VillaNurbs roof.

Publication: AL magazine (www.archlighting.com)
USA

Publication: The Architect’s Newspaper (www.archpaper.com)
USA

Publication: NY Times (www.nytimes.com)
USA

A 3D fish scales sculptures and color particle LEDs study.

Design: Cloud9 – WRT http://www.ruiz-geli.com/ www.NYAquarium.com

Fish scales sculpture design process:

Color particle LEDs study process:

NY Aquarium by Day

NY Aquarium by Night: Cloud9 Model

NY AQUARIUM http://www.nyaquarium.com/ Yonit Golub
Senior Associate, Public Affairs
NYC Economic Development Corporation
212.312.3804
ygolub@nycedc.com Kate Fitzgerald
Manager of Public Affairs
New York Aquarium
718.265.3427
kfitzgerald@wcs.org

Publication: CAD

Publication: La Vanguardia (www.lavanguardia.com)

Miller Theater at Columbia University.

Publication: Museum of Modern Art (www.MoMA.com)
USA

Striking rain drops simulation on house and splash design sculpture for VillaNurbs roof.

Design: Cloud 9

(http://www.ruiz-geli.com/ , http://www.villanurbs.com/)

1- Built an exactly 3d house mesh
2- Striking rain drops simulation on roof
3- Choose the better impacts
4- Rebuild the rain drops splashes
5- Sculpt the ending shapes

Some pictures from Cloud 9.Villanurbs under construction.

© CLOUD 9

Design: Cloud9 – http://www.ruiz-geli.com/

“Villa Nurbs”, Empuriabrava

5 Architecture and Design Biennial of Sao Paulo (Brazil)

Publication: ACTAR ( www.actar.com)

Vfx animation for the Gaudi musical on BTM Theatre by GIFRE.

Gaudí Musical
Client: Focus – SGAE – CIE
Scenography: Ruiz Geli & Fran Fernandez
Location: Barcelona Musical Theatre (BTM)
Barcelona (Spain)
Year: 2002

Publication: Focus